Painted by Dan Brereton, it may have seen print elsewhere [Chris Mills would know!] before landing on the seventh issue of Draw! magazine. If it wasn't painted for a specific story, it cries out for one to be written around it. It has all the right elements for a great crime saga... a tough dame, guns, money, and a rough thug [gotta wonder where that scar came from] on the run [note the hanging handcuff].