I loved "28 days later." So when "28 weeks later" was announced, along with the fact that the original writer [Alex Garland], the original director [Danny Boyle] and the original cast were not returning, I felt we might be in for a letdown.
"28 weeks later" has an ambitious screenplay by Rowan Joffe, Juan Carlos Fresnadillo, Jesus Olmo and Enrique Lopez Lavigne. Juan Carlos Fresnadillo takes the director's chair and does an admirable job of retaining the feel and style of the original. Robert Carlyle [who is always good] is the biggest name actor in the new cast although many will recognize Harold Perrineau, from "Lost" in a small but important role.
"28 weeks later" has an ambitious screenplay by Rowan Joffe, Juan Carlos Fresnadillo, Jesus Olmo and Enrique Lopez Lavigne. Juan Carlos Fresnadillo takes the director's chair and does an admirable job of retaining the feel and style of the original. Robert Carlyle [who is always good] is the biggest name actor in the new cast although many will recognize Harold Perrineau, from "Lost" in a small but important role.
Spoilers will follow...
The movie opens with perhaps the best scenes in the film. A band of survivors [including a husband and wife who hope that their children are still alive] have barricaded themselves in a remote farm house. As they settle down for dinner, it is obvious that their situation is wearing them down. When a child is heard yelling to be let in the house, the theme of the movie comes into play... who/how many will you sacrifice to save yourself? There's hesitation, but they let the boy in and soon enough all of the "infected" that were chasing the boy, are breaking into the house. They succeed and the survivors run and fight for their lives. A horrible moment occurs when the husband makes it to the window and his wife hesitates so that she can bring along the boy. A group of infected get between them and the husband is faced with a choice: try to save his wife and the boy or himself. He chooses to save himself. The last image that he sees as he runs from the farm house is of his wife being pulled from the window.
The husband makes his way to safety and is part of a group brought in to repopulate London. The virus is gone, and the military are everywhere insuring a quick end should it return. And return return it does...
The movie opens with perhaps the best scenes in the film. A band of survivors [including a husband and wife who hope that their children are still alive] have barricaded themselves in a remote farm house. As they settle down for dinner, it is obvious that their situation is wearing them down. When a child is heard yelling to be let in the house, the theme of the movie comes into play... who/how many will you sacrifice to save yourself? There's hesitation, but they let the boy in and soon enough all of the "infected" that were chasing the boy, are breaking into the house. They succeed and the survivors run and fight for their lives. A horrible moment occurs when the husband makes it to the window and his wife hesitates so that she can bring along the boy. A group of infected get between them and the husband is faced with a choice: try to save his wife and the boy or himself. He chooses to save himself. The last image that he sees as he runs from the farm house is of his wife being pulled from the window.
The husband makes his way to safety and is part of a group brought in to repopulate London. The virus is gone, and the military are everywhere insuring a quick end should it return. And return return it does...
The Good: "28 weeks" retains much of the feel of "28 days." Robert Carlyle. Jeremy Renner who almost steals the show in his role as Doyle. The way that the virus is brought back into play. The infection spreading through the crowded underground safe haven. No one is safe... no one! The potential for "28 months later!"
The Bad: The way that Robert Carlyle is always able to find the survivors who are on the run. The killing of Jeremy Renner's character.
The Ugly: The helicopter taking out "the infected" with it's blades and not crashing.
"28 weeks later" rates a "B"
The Bad: The way that Robert Carlyle is always able to find the survivors who are on the run. The killing of Jeremy Renner's character.
The Ugly: The helicopter taking out "the infected" with it's blades and not crashing.
"28 weeks later" rates a "B"
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